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Audi Marks the Spot E-mail
Monday, 10 November 2008
novcamcol-audi_a3_spot_morphsyndicate_002.jpgWhen director Matthew Ashburn and his new digital media company Morph Syndicate decided to shoot a glossy car commercial for the Audi A3 2.0T, his plan was to do it on spec and avail himself of a camera package and post technology that would allow him to compete with the big boys...
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The Queen of B'z E-mail
Monday, 10 November 2008
Bea Egeto is a director/producer/editor with extensive experience in corporate videos, commercials, music videos and a short web series. In 2006 she created her B'z Shorts company...
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Give Peace a Second Chance E-mail
Monday, 10 November 2008
novaudiocol-aaton_cantar_2007-03_tigre_full.jpgDrew Kunin is surrounded by hippies and musicians in upstate New York. He admits that it’s been a blast during a brief break in the filming of Taking Woodstock...
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Lenses: Camera Running Mates E-mail
Monday, 10 November 2008
schneiderlensfeat-james mathers using tru_cut.jpgNo one said that making it in Hollywood was easy or cheap...
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Preditor's Choice E-mail
Monday, 10 November 2008
Editors who need to cut their stuff in the field have a variety of NLE software to choose from. But before you limit yourself to the two big “As,” I’d like to throw an alternative onto your data monitor for consideration...
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The Pokerlite from Westcott 

Sometimes lighting a scene can be challenging. Interviews are easy, but when you have several people sitting around a table talking to each other... Read More

 

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