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Final Cut Pro Studio 2 E-mail
Saturday, 01 December 2007

Apple’s new Final Cut Pro Studio 2 is truly a beast.  It is a relentless workhorse that allows the user to create an impressive project with a dynamic suite of powerful, integrated programs. I have been testing it now for almost four months but have barely scratched the surface of its possibilities.

 

 

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Field Days E-mail
Saturday, 01 December 2007
The term “Renaissance Man” is used a lot these days. Often, it refers to those of us in the industry who work for smaller production companies and those who work as jacks-of-all trades or generalists, rather than specialists. 
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Taking Cues from Hollywood Masters E-mail
Thursday, 01 November 2007
smalllighting.jpgLighting in the field is always a challenge, says DP Cira Felina Bolla, “but it can actually aid your project, as it forces one to be more creative and inventive.
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Capturing Tapes N' Tapes E-mail
Thursday, 01 November 2007
smallcamera.jpgWhen DP Bill Lucia shot a high-octane clip for the Minneapolis rock band Tapes ‘n Tapes, he also took on the challenge of filming in 35 locations in two days, in and around the band’s hometown.
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Remote Editing E-mail
Thursday, 01 November 2007
For Ronnie Martin, owner and editor at Kato Video Productions in Brandon, Miss., the EDIUS nonlinear editing software has been his tool of choice long before the company that birthed it, Canopus, was purchased by Grass Valley at the end of 2005.
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blair(website).jpgIain Blair
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"Britain and India have been closely linked ever since the Empire days, and it continues. The latest merger is the UK/Indian film industries..."
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The Pokerlite from Westcott 

Sometimes lighting a scene can be challenging. Interviews are easy, but when you have several people sitting around a table talking to each other... Read More

 

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