| Digital Vision Announces RED One |
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| Tuesday, 12 August 2008 | |
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The Digital Vision announcement for Film Master and RED presents a critical advantage in the RED post-production workflow. Film Master users will benefit from Digital Vision’s floating point, high dynamic range processing as well as Film Master’s DVO tools that can enhance definition and detail as part of the grading and finishing. Digital Vision has integrated REDCODE RAW™ decoding directly into all its software products so it can work natively with R3D files. There is no import or transcode stage and users will have full access to the floating point 4k data at all times. Key to the implementation is full support for RED metadata to provide a seamless transition from dailies to conform and final grading.
Simon Cuff, President and COO, Digital Vision adds; “Digital Vision has always been committed to embracing the latest advances and with this announcement, we’re again putting our customers ahead of the creative curve. We are offering an advanced workflow for RED, which has proven to be one of the most in-demand acquisition tools and one that will continue to be of great interest to the About Digital Vision
Digital Vision AB was founded in 1988 and is headquartered in Stockholm, Sweden, with three wholly owned subsidiaries, Digital Vision (US) in Los Angeles, California; Digital Vision UK in London, England; and Digital Vision in Hong Kong, China. The company maintains its global presence through a network of qualified distributors. Digital Vision is listed on the Stockholm stock exchange. For further information, go to www.digitalvision.se. All trademarks used herein, whether recognized or not, are the properties of their respective companies. |



Iain Blair
James Thompson
Dyana Carmella







