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Crewing Calls PDF Print E-mail
Technology Top Stories
Written by Dyana Thompson   

It’s been said directing films, commercials, TV shows and industrials is like commanding a small army.

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Latest Innovative Production Tools PDF Print E-mail
Technology Top Stories
Written by Debra Kaufman   

Film and TV productions have gone digital, HD, 3D stereoscopic and mobile. And manufacturers have been innovating to keep the pace, providing new tools for cinematographers, grips and everyone else on the production team to be on top of their game.

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DIT Field Monitors PDF Print E-mail
Technology Top Stories
Written by David Hurd   
When you’re planning a studio shoot, almost any monitor will do. But when you’re shooting exteriors in extreme conditions, you’ll need a rugged, lightweight monitor that’s bright enough to be seen in broad daylight. I tested three such monitors from Display Integration Technologies, and they all rocked.
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Technicolor's Mobile Digital Lab outfitted with Avid, Apple and RED PDF Print E-mail
Technology Top Stories
Written by Debra Kaufman   
Technicolor Creative Bridge sent its Mobile Digital Lab and Theater (MDLT) to the location outfitted with several Apple Final Cut Pro stations for RED ingest and editorial prep. Dailies were created for Apple TV as well as being viewed from a projector in the MDLT...
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A Contemporary Take on Sherlock Holmes PDF Print E-mail
Technology Top Stories
Written by Bob Fisher   
Everything and nothing in his life prepared Cinematographer Philippe Rousselot, ASC, AFC for the challenges he would face on the production of Sherlock Holmes.
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Test Drive: DIT Field Monitors

DIT's MMR Moniter. Photo courtesy of Display Integration Technologies. When you’re planning a studio shoot, almost any monitor will do. But when you’re shooting exteriors in extreme conditions, you’ll need a rugged, lightweight monitor that’s bright enough to be seen in broad daylight. I tested three such monitors from Display Integration Technologies, and they all rocked.... [read more]

 

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