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The Dana Dolly PDF Print E-mail
Written by David Hurd   
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DIT Field Monitors PDF Print E-mail
Written by David Hurd   
When you’re planning a studio shoot, almost any monitor will do. But when you’re shooting exteriors in extreme conditions, you’ll need a rugged, lightweight monitor that’s bright enough to be seen in broad daylight. I tested three such monitors from Display Integration Technologies, and they all rocked.
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Technicolor's Mobile Digital Lab outfitted with Avid, Apple and RED PDF Print E-mail
Technicolor Creative Bridge sent its Mobile Digital Lab and Theater (MDLT) to the location outfitted with several Apple Final Cut Pro stations for RED ingest and editorial prep. Dailies were created for Apple TV as well as being viewed from a projector in the MDLT...
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A Contemporary Take on Sherlock Holmes PDF Print E-mail
Written by Bob Fisher   
Everything and nothing in his life prepared Cinematographer Philippe Rousselot, ASC, AFC for the challenges he would face on the production of Sherlock Holmes.
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Capturing Ocean Footage PDF Print E-mail
Written by Debra Kaufman   
Things are looking better than ever underwater. Since the first underwater camera system.
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Test Drive: HP's Z800

For the last 10 years I’ve been reviewing video
production products, so when it was time to find
the ultimate PC to use in my “review system,” the
choice was easy: the HP Z800 workstation....(more)