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What's New in 3D? PDF Print E-mail
Technology Top Stories
Written by Jennifer Marino   
3D has become increasingly popular, leading more companies to incorporate the medium into their product line. As more options arise in the stereoscopic world, cutting-edge products and 3D education have created the newest industry buzz.
Panasonic has been especially busy promoting 3D products. The company debuted its unique 3D full HD Plasma Home Theater System, which...
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PLURA PBM-070X 7” HD Monitor PDF Print E-mail
Technology Top Stories
Written by David Hurd   
One of the products that I went looking for at this year’s NAB show was a small HD monitor. I came home with a PLURA PBM-070X. The reason that I chose the PBM-070X, is that it has the four qualities that I require in a monitor: The proper inputs, formats, and picture quality, with controls that are easy to use. The PLURA PBM-070X managed to meet all of my expectations by packing the quality and features of a big monitor into a small, lightweight package.
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HD Cinematography on "Inside the Box" PDF Print E-mail
Technology Top Stories
Written by Count Alexander   
DP Lex DuPont is a highly experienced veteran of broadcast shows and lists among his credits “Saving Grace,” “Lincoln Heights,” “Raines,” and eight seasons of “NYPD Blue.” His recent work for ABC includes the show “Private Practice” and a pilot for the new one-hour drama “Inside the Box.”
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Audio Workflow on HD Shows PDF Print E-mail
Technology Top Stories
Written by David John Farinella   
When Erik Magnus, CAS interviewed with the producers of the TNT show “Leverage,” he heard that they wanted to do things a bit differently. “They wanted an in-house workflow, and that meant they wanted to use HD all the way,” he says. “It was shot with up to three RED cameras, and I recorded the audio digitally on a Fostex DV824 multitrack DVD-RAM recorder.”
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Lighting on HD TV Shows PDF Print E-mail
Technology Top Stories
Written by John Law   
For night exteriors, Decca used ARRI 18Ks and 12Ks. “I’d [also] have three or four Condors most of the times, so I’d use a lot of those lights spread around,” he says. For day exteriors, Decca used very little fill light. “I’d just take advantage of the extreme dynamic range this camera has, which is almost film-like, and used bounces to reflect.” And for small interiors, he always likes to use Kino Flo ParaBeams. “I had several units of those that Paskal Lighting brought from L.A. just for this show...
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Test Drive: The Dana Dolly

Dana Dolly The Dana Dolly may have been designed for times when you want to do a six to eight-foot dolly move without a lot of setup, but I found that it works for most of the dolly shots that I need done. It has a solid design that’s both affordable and easy to use..... [read more]