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High-Def Sounds PDF Print E-mail
Technology Top Stories
Written by David John Farinella   
Richard Lightstone, CAS is well versed in the world of production sound mixing, having bounced between feature films and television shows for more than 30 years. To say he has seen it all would be a bit of an understatement...
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Sound Advice PDF Print E-mail
Technology Top Stories
Written by David John Farinella   
Production sound mixers around the globe are discovering an ever-changing landscape when they are asked to capture on-set dialogue in challenging environments while utilizing technology that is rapidly evolving...
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Curve of Earth -- How to Produce Widescreen 35mm Movies on a Budget PDF Print E-mail
Technology Top Stories
Written by Bob Fisher   
Cinematographer Ben Kufrin films a car scene from Curve of Earth Photo courtesy of Curve of Earth ProductionsBen Kufrin is among the first contemporary U.S. cinematographers to use the Techniscope format that was invented about half a century ago. The format uses two versus four perforation-deep 35mm frames to produce movies in a widescreen 2.4:1 aspect ratio.
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Curve of Earth –– How to Produce Widescreen 35mm Movies on a Budget PDF Print E-mail
Technology Top Stories
Written by Bob Fisher   
Ben Kufrin is among the first contemporary U.S. cinematographers to use the Techniscope format that was invented about half a century ago. The format uses two versus four perforation-deep 35mm frames to produce movies in a widescreen 2.4:1 aspect ratio...
[ read more ]
 
Crewing the Production PDF Print E-mail
Technology Top Stories
Crew from Maslow Media on set in Salt Lake City Photo courtesy of Maslow MediaCrews come in all shapes and sizes, but Oscar-winning producer Brian Grazer says there’s one aspect of crewing a production that always remains the same: “A cohesive team is absolutely essential, and finding and hiring the right crew can make the difference between success and failure,
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Test Drive: DIT Field Monitors

DIT's MMR Moniter. Photo courtesy of Display Integration Technologies. When you’re planning a studio shoot, almost any monitor will do. But when you’re shooting exteriors in extreme conditions, you’ll need a rugged, lightweight monitor that’s bright enough to be seen in broad daylight. I tested three such monitors from Display Integration Technologies, and they all rocked.... [read more]

 

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